Senin, 31 Desember 2012

[W935.Ebook] Ebook The 13 Clocks and the Wonderful O, by James Thurber

Ebook The 13 Clocks and the Wonderful O, by James Thurber

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The 13 Clocks and the Wonderful O, by James Thurber

The 13 Clocks and the Wonderful O, by James Thurber



The 13 Clocks and the Wonderful O, by James Thurber

Ebook The 13 Clocks and the Wonderful O, by James Thurber

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The 13 Clocks and the Wonderful O, by James Thurber

  • Sales Rank: #8331915 in Books
  • Published on: 1965
  • Binding: Paperback

Most helpful customer reviews

0 of 0 people found the following review helpful.
"Remember laughter. You'll need it ..."
By E.J. Jones
If you like The Last Unicorn and Alice in Wonderland, you’ll probably like James Thurber’s fairy tales. His work is a fun mix of the wordplay of Lewis Carroll and the beautiful, sometimes half-poetic prose of Peter S. Beagle, plus the gentle satire that can be found in both of those. The 13 Clocks is light enough to read in a day or two, but also unique enough to stick with you for a lot longer than that.

It seems like a typical fairy-tale conundrum: a wicked Duke is trying to prevent his niece, Princess Saralinda, from marrying, because he is always cold and her hand is the warmest in all the castle. He sets her suitors impossible tasks and kills them when they can’t complete them. But one day, a young minstrel named Xingu decides to try and thwart the Duke. With the help of the Golux, Xingu may be able to not only win the hand of the Princess Saralinda, but get the 13 stopped clocks in the Duke’s castle up and running as well.

The 13 Clocks looks a lot like a kids’ book, what with its slim girth, large print, and color illustrations. A kid would definitely enjoy it, but adults shouldn’t ignore it, either. The writing is clever and fun enough, as Neil Gaiman says in his introduction to the book, that you’ll look for any excuse to read it aloud. Take this quote from the Golux: “I resemble only half the things I say I don’t. The other half resemble me.” Or this description of an ancient hag’s abode: “It was cold on Hagga’s hill, and fresh with furrows where the dragging points of stars had plowed the fields … There was a smell, the Golux thought, a little like Forever in the air, but mixed with something faint and less enduring, possibly the fragrance of a flower.” Now, what grown-up wouldn’t be a child again to live on words like that?

That’s why The 13 Clocks works as well as it does. It may have some predictable qualities – well-used plot, stock heroes and villains (except the Golux, who will live on forever in my heart) – but the language is superb, and the pictures aren’t bad, either. (Thurber, known for his endearingly less-than-stellar drawing skills, didn’t illustrate this book; he had Marc Simont do it because his eyes were getting bad.) It’s a great gift for anyone who loves words, even if that person is yourself.

1 of 1 people found the following review helpful.
Wonderful, wordy, poetic -- begs to be read aloud!
By Aimee Sims
"Once upon a time, in a gloomy castle on a lonely hill, where there were thirteen clocks that wouldn't go, there lived a cold, aggressive Duke, and his neice, the Princess Saralinda."

Well. that first line has just about everything you need to start off a fairy tale, doesn't it? And it only gets better from there.

The New York Review has just reissued Thurber's classic, paired with the illustrations by Marc Simont, with a new introduction by Neil Gaiman.
The 13 Clocks is as full of fairy tale as you can get, with a Princess, the evil Duke, and, of course, a Prince. But there's also a Golux, who seems wise, but who sometimes makes things up and is extremely forgetful, the 13 clocks, an old woman who cries jewels, and the Todal ("The Todal looks like a blop of glup. , , , It makes a sound like rabbits screaming, and smells of old, unopened rooms.")

The story, although it's exciting and scary and thrilling, isn't even the best part. No the best part, as far as I'm concerned is the words that make up the story itself and the poetical way Thurber weaves them together. It's not really poetry, yet, at the same time, it is. This story, like poems, uses those glittery, evocative, slippery wonderful words -- like "brambles and thorns and "bonged the gongs of a throng of frogs, all green and vivid on their lily pads." Words like "gleep" and "made of lip" and "impudence" and "savage clash of swords." -- that together imbue the tale with feeling and delight.
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This is truly a wonderful story and one that simply begs to be read aloud.

6 of 6 people found the following review helpful.
Timeless Perfection For Young And Old
By Alistair McHarg
The Thirteen Clocks, by James Thurber, is a perfect book. The only way it could be better would be by being longer. The story is classic in its simplicity, so elemental that anyone can easily find a way inside. The big setting - a castle - the big players - a Prince, Princess, and wicked Duke (very wicked) - the big themes - courage, redemption, selfless sacrifice, and just a whiff of magic. Best of all, the big problem - time is frozen. Our enterprising Prince must do the impossible to win the hand of Princess Saralinda. This is road-tested material but Thurber breathes new life into it, making it fresh and irresistible. The musicality of his language is delightful, there is so much joy and play in the words, they giggle and dance like water gliding over stones in a stream. His rogue's gallery of secondary characters is just too good; each is slightly more improbable and splendidly cracked than the last. Most of all, this story ends exactly as it should, the resolution is not forced, it's simply correct. The Thirteen Clocks is a slice of heaven that can be enjoyed by anyone able to read. Thurber, it turns out, really was as good as he claimed. This lasting jewel proves it.

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